Monday, March 7, 2011

The Ex USA Tour

The Ex. Photo: The Ex













 

Tuesday, March 8, 2011 at 8:00 PM
Lincoln Hall (ft. Follows, K.Vandermark&Zerfu Demissie) - Chicago, IL
Admission: $15
Wednesday, March 9, 2011 at
The Rock Shop (ft. DJ Rupture) - Brooklyn, NY
For tickets
Thursday, March 10, 2011 at 7:00 PM
Le Poisson Rouge (ft. Liturgy) - New York, NY
For tickets
Friday, March 11, 2011 at 8:00 PM
Brighton Music Hall (ft. Liturgy) - Allston, MA
For tickets

Saturday, March 12, 2011 at 9:00 PM
Black Cat (DJ Rupture) - Washington D.C.,DC
For tickets
Sunday, March 13, 2011 at  8:00 PM
First Unitarian Church (ft. DJ Rupture) - Philadelphia, PA
For tickets
Tuesday, March 15, 2011 at 9:00 PM
Doug Fir Lounge (ft. Death Sentence Panda) - Portland, OR
For tickets
Wednesday, March 16, 2011 at 7:30 PM
The Vera Project - Seattle, WA
For tickets
Thursday, March 17, 2011 at 9:00 PM
Bottom of the Hill (ft. Death Sentence Panda) - San Francisco, CA
For tickets
Friday, March 18, 2011 at 8:00 PM
The Satellite (ft. Death Sentence Panda) - Los Angeles, CA
For tickets

Playing a hybrid of punk to advance their liberal socialist agenda (serving as the rough equivalent of a Dutch Crass), the Ex put out reams of records and propaganda during the '80s - each released on a different Dutch label - but in the '90s began to embrace industrial forms of percussion and improvisation more in line with Einstürzende Neubauten and Test Dept. Formed in the late '70s, the group debuted at the turn of the decade with Disturbing Domestic Peace. The year 1983 was particularly busy; two proper albums were released (Tumult and Blueprints for a Blackout) plus the singles box Dignity of Labour and an EP, Gonna Rob the Spermbank.

The Ex’s 25th CD/LP release on their own Ex Records and 123rd release in total. ‘Catch My Shoe’ is the first CD with their new singer Arnold de Boer.
The songs range from The Ex versions of high energy Gurage music from Ethiopia (‘Eyoleyo’) to hypnotic full on dance tunes like ‘24 Problems’ and ‘Double Order’. The sound is unmistakably The Ex but with new vocals and Konono style catchy guitar riffs from Arnold and crunchy baritone guitar melodies from Terrie and Andy all propelled along by Kat’s relentless driving ‘African’ beats. The songs range in subject matter from climate confusion, unexpectedly throwing surprise objects, optical illusions, deceitful cropdusters, ice picks and late trains.

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